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The brief called for a space that felt elevated in every sense — above the noise, the density, the heat of the city below. We responded with a material palette that absorbs and reflects in equal measure: smoked glass filters the Beirut glare, velvet grounds the acoustics, brass catches the last light.
The best spaces don't demand your attention. They earn it by letting you forget you're inside one.
Every surface was considered not as decoration but as atmosphere. The result is a space that changes character with the time of day — bright and optimistic at noon, intimate and weighted by evening.